A brilliant tool for determining where in London you get to within a certain time from a given location. In other words: if I live at X, where can I commute to within Y minutes ❤
There's been a lot of chatter recently about whether social media deplatforming might cause an influx of less-than-ideal individuals to circles like the IndieWeb movement. Fluffy has done a great job of outlining why that doesn't feel like as big of a problem. This (concatenated) bit particularly resonated:
I feel like the threat model for IndieWeb is very different than the threat model of so-called “silo” social media. Silos are built around increasing engagement and spreading popular posts far and wide... self-hosted platforms are different [in] that it’s up to people to seek out and spread the information they want to.
They make great follow up points on the importance of critically evaluating which parts of social media the IndieWeb movement is looking to replicate (and why), what the repercussions could be in terms of reigning in negative behaviour on a decentralised platform, and ends with this great summation:
IndieWeb is an ethos and a set of opt-in protocols, and participating in IndieWeb in general doesn’t mean having to participate in all of it. I feel like that’s already a huge advantage.
The utterly bizarre tale of East Grinstead, a small town in Sussex that appears to be cosplaying as the fictional town of Twin Peaks. It boasts:
- The home of L Ron Hubbard, founder of Scientology (now also a retreat and worldwide HQ for said quackery, making it a focal point for cult members like Tom Cruise and John Travolta);
- Recent UFO sightings from commercial airline pilots using the nearby Gatwick;
- A branch "stronghold" of the Rosicrucians ("ancient" order of knowledge protectors and general secret society types);
- An Opus Dei church (the group infamously brought to the mainstream via The DaVinci Code's self-flagellating monk assassin);
- The British home of Mormonism;
- The first Waldorf/Steiner school in Britain;
- A collection of Waldorf-based biodynamic farms (utilising some of Steiner's weirder teachings);
- Ashdown Forest, real-world inspiration for the 1000 Acre Wood of Winnie the Pooh (AA Milne lived on the edge of East Grinstead) and literal site of the invention of Pooh Sticks (and the now-named Poohsticks Bridge, no less);
- The forest also plays a central role in modern Wiccan and druidic folklore, due to it (and the town) being at the convergence point of multiple ley lines and the Greenwich Meridian, as well as containing several excellent-quality quartz outcrops;
- The site (also in the forest, or nearby, depending on who you talk to) of an occult false-flag propaganda event during WW2 that saw Canadian airmen dress up in black robes and dance around a fire at midnight. "Operation Mistletoe" was designed to trick Nazi "mystics" into believing that the Allies had made an occult breakthrough, with the hope of drawing out spies in the south of England 🤯 (and may have been attended by Ian Fleming of Bond fame);
- A specific radio mast that was solely used to broadcast fake news and propaganda during WW2;
- And Queen Victoria Hospital, the site where Sir Archibald McIndoe (a Kiwi surgeon brought to the UK to help the RAF during WW2) pioneered multiple cosmetic surgery and patient-recovery techniques to help burns-victims heal, including some of the first surgical graft procedures for facial reconstruction.
So why so much weird in one place? I particularly like the idea that McIndoe is to thank. His efforts in modernising patient care during WW2 meant that he encouraged those under his care to venture into the town ASAP. In order to help them mentally rebuild, this required the townsfolk to treat them normally, despite quite severe deformities that would have resulted from their injuries. The town agreed and became known as "the town that didn't stare", a civic sensibility that has survived to modern times. Indeed, the town is a favourite of celebrities not just because it's incredibly quaint, but because the people that live there are statistically much less likely to inform paparazzi or hassle someone on the street, making it an extremely tolerant town for people of alternative faiths as wel. I think that's pretty great 😊
Opinion is really the lowest form of human knowledge. It requires no accountability, no understanding. The highest form of knowledge is empathy, for it requires us to suspend our egos and live in another’s world.
Study after study shows that people absolutely hate slow webpages. In 2018, Google research found that 53% of mobile site visitors left a page that took longer than three seconds to load. A 2015 study by Radware found that “a site that loads in 3 seconds experiences 22% fewer page views, a 50% higher bounce rate, and a 22% fewer conversions than a site that loads in 1 second, while a site that loads in 5 seconds experiences 35% fewer page views, a 105% higher bounce rate, and 38% fewer conversions.”
That is a result of webpages growing from ~100kb to > 4Mb on average in the past ten years, which has a genuine environmental impact:
Consider that if a typical webpage that weighs 4 MB is downloaded 600,000 times, one tree will need to be planted in order to deal with the resulting pollution... If you want to save the planet, use more text [over images]. Think about digital weight.
It’s like a type of Trojan Horse. You think you’re accessing one website
or app, but then all these other third parties start accessing you.
According to Trent Walton, the top 50 most visited websites had an
average of 22 third-party websites hanging off them. The New York Times
had 64, while Washington Post had 63. All these third-party websites
create pollution and invade privacy.
Out-of-date information, pointless pages, and poorly optimised code all share significant chunks of the blame too:
4.3 terabytes a day of data bandwidth for their visitors.
(FWIW, that Wikipedia fact is equivalent to about 700 new trees a year in carbon capture)
Gerry also goes through a useful thought exercise of trying to determine what a page is about based on the images it contains. If you can't even get close, then are those images actually worthwhile?
Digital is greedy for energy and the more it grows the greedier it gets.
We need digital innovation that reduces environmental stress, that
reduces the digital footprint. We need digital designers who think about
the weight of every design decision they make.
Also, very interesting results of some studies looking at the impact of images. In one (advertising pension policies) the ad with an image was deemed less trustworthy by most people; in another (government scheme to increase organ donor registration) the use of images resulted in the least effective combinations across all tested. Pictures don't always improve content, in other words, and sometimes they actively hurt it.
Max has put together a quick overview of how to store webmentions in a cache folder so that you don't have to fetch them on each build with Netlify. Super useful and can't help but think this might be incredibly applicable for a lot of static site requirements.
Malte has put together a brilliant overview of the various techniques that are currently available on the web natively for loading images in the most performant and user-centric ways possible. I'm pretty happy to have heard of most of them, but not all:
- Using a combination of
max-width: 100%; height: auto;with "hard-coded" width and height values e.g.
<img height="800" width="1280" src="..." alt="..." /;
content-visibilityCSS attribute (though this requires some fancy
- A new file format – AVIF – which is more efficient than JPEG or WebP in a lot of situations, particularly for use with the
- Use of the
wselector with a
srcsetattribute (also using the
- Embedding a hash of the image in the actual image URL (🤯), which can (apparently, though I'll admit this is above my full understanding 😁) also help with cache control;
- Native lazy loading e.g.
<img loading="lazy" ... />;
- Native async decoding, to make use of more efficient multithreading e.g.
<img decoding="async" ... />;
- Using a "blurry placeholder" (grr shakes fist), though here by applying a
cover, with optional JS to remove the background once the actual image has loaded (so not as irritating as some more popular, JS-only techniques).
I see Twitter as a sort of necessary evil: a mainstream communication channel that is universally accessible and therefore a generally positive concept on the micro level, that has been abused on the macro level to scary degrees. Ryan has a more, shall we say, negative outlook, but makes some increasingly valid points.
The only difference is that [Twitter's] hopelessly-addicted user base is made up of journalists, politicians, celebrities, and academics. So we’re forced, as a society, to take Twitter’s inane message board drama more seriously than we [normally] would.
But Twitter is a video game and [Bean Dad] became a boss battle for the day...
Community moderation [on Twitter] is so poor that users have resorted to waging daily tribal warfare with each other as a way to keep themselves safe and secure (and entertained).
Twitter’s public engagement metrics — follower counts, retweets, quote tweets, replies, and likes — have gamified on-site behavior to a degree where users can no longer be expected to authentically communicate with each other. Everything is perceived to be for clout, even if it’s not.
[The reality of Bean Dad for Twitter] means that context collapse has gotten so bad and the scale of your trending algorithms are so completely out of whack that a total moron tweeting about beans can create the same level of discussion within your community as the Trump Georgia call. It means that your users are so desperate for your made up internet points that they would consider turning an extremely mundane story about using a can opener into a TWENTY-THREE tweet thread and are also so vicious and insane and bored that they would turn that thread about beans into a national scandal.
A wonderful (and wistful) treatise to the personal web. Takes a design-oriented approach, but the words are just as applicable to any discipline (even non-digital ones). More importantly, Simon's words inspire me to think about my own site in new ways and see new opportunities that it can fulfil.
I know that social media deprived the personal site of oxygen, but you are not your Twitter profile, nor are you your LinkedIn profile. You are not your Medium page. You are not your tiny presence on the company’s About page. If you are, then you look just like everyone else, and that’s not you at all. Right?
I'm not sure I fully understand Andy's clever Service Worker setup here for authenticated content, but it certainly sounds like a nifty pattern and I can't agree more with his main takeaway.
It’s particularly galling when it comes to iPads. Those are exactly the kind of casual-use devices that shouldn’t need to be caught in the wasteful cycle of being used for a while before getting thrown away.
My personal fight with Apple's software lockouts on iPad continues, so this comment (and most of Jeremy's surrounding thoughts) really resonated 😤
When we remove the pre (finding the pen, the paper, the notebook, the software) and the post (finding a way to publish it), it turns out that we write more often, and writing more often leads to writing better.
It doesn’t have to be perfect, it can simply be the next thing you do.
The patterns matter. Streaks work.
All part of your practice.
Something something Micropub and posting from my phone...😩