Everybody has always said that the only way Spider-Man would ever be done right is if Marvel did. Everybody was (sort of) correct: Homecoming is brilliant and perfectly captures everything Spidey, whilst also managing to be a genuinely clever and interesting film. Right now, Marvel is very much back in its groove and top of the superhero game.
But I say sort of correct because I genuinely don't think that Homecoming could exist without the original Raimi trilogy or the Andrew Garfield reboot. Why? The original trilogy did the truly comic-book, fan service films that had to come first. Peter Parker was a little wet-behind-the-ears and the third film was awful (though none have stood the test of time), but crucially the characters all felt like they'd been lifted straight out of the Silver Age comics which made them famous. It also contained just enough of the 90's TV cartoons to appeal to the younger fans. The films are riddled with bad acting, poor scripts and terrible direction and feel completely amateur by modern standards, but they were very definitely Spider-Man films. To contrast, Homecoming takes extreme liberties with the source material. There's no origin story, there are new characters, Aunt May is young and attractive, MJ is a non-white brunette and there isn't a hint of Osborne or Oscorp in sight. If Homecoming were the first cinematic outing for Spidey the fanboys would have their pitchforks out screaming blue murder.
Similarly, the Amazing Spider-Man films got a bit of the grittiness out of the system. I will further maintain that Andrew Garfield was an almost perfect casting for Peter Parker, and Emma Stone was brilliant as Gwen Stacy. The films were poorly paced and had terrible villain designs, but the main characters and action were great. They also provided a crucial buffer and got Gwen some well deserved time on centre stage. Again, without these films ticking off the last few items on a fan's wish-list there would have been much greater pressure on Marvel. Between the original trilogy and the two Amazing reboots, pretty much all of the iconic Spider-Man scenes and plots have been told. Marvel was therefore clear to take the character and truly mould him to fit their vision, making him work within the MCU without having to tip-toe around fan service.
Which is brilliant, because the end result is truly fantastic. In Homecoming Marvel is finally starting to play with the incredibly intricate universe it has built. The villain is directly tied to the Chitauri invasion of New York, but in a human and believable way. Peter is being directly mentored (read: monitored) by Happy and Stark. The US schooling system has a library of inspirational video recordings of Captain America. Not only are the cross overs between the other films genuinely clever and entertaining, they make Homecoming feel incredibly included. Whereas films like Doctor Strange and Guardians of the Galaxy feel divorced from the events in the Avengers franchise, Homecoming is happening around the edges. It's very well done, often incredibly humorous ("I think he's probably a war criminal now, but whatever") and makes these new characters feel like they've been there since day one. It's something the TV shows in the MCU are desperately needing, but for a more street-level hero like Spidey, it works perfectly.
On top of the nods to past events in the MCU I have to mention the possible hints at a pretty major future event: Miles Morales. And by possible I mean that Kevin Feige has heavily hinted that they're going to happen. Donald Glover is in this film, which is a fun nod towards his year's long campaign to play Miles in a Sony reboot. Unfortunately, instead of playing the Ultimate Spider-Man, Glover has a role as Aaron Davies, a small time crook. He does, however, mention that he has a nephew in Queens, which instantly made me wonder if that nephew could be Miles. Sure enough, in the comics, Davies is Miles' uncle. We also have Parker losing his backpack in an alleyway in Queens near the start, which is a similar origin to how Miles original gets his webs in one variation of his origins. It's an incredibly exciting Easter Egg for long time fans of the black web-slinger and personally I'm so much more hyped for future Spider-Man films now there's a (good) chance Miles may make an appearance.
All of which is to say that, yes, you absolutely should go and see Homecoming. It's easily the best Spider-Man film we've had to date, with perfect casting across the board, some very clever humour and a genuinely interesting plot. The Vulture may not be top of Spidey's rogues gallery but Keaton plays him brilliantly, and combined with the twist of his relationship with Peter makes him a genuinely chilling yet believable villain (not something I thought I'd be saying about the Vulture...). The inclusion of Iron-Man does feel a little forced at times but also helps explain Parker's appearance in Civil War whilst also making the universe a lot more believable, with both inhabiting the same city after all. Plus, that Iron Spider wink-nod near the end is a brilliant fan moment. Homecoming has set up an interesting, nuanced and funny version of Spider-Man whose future outings are now firmly atop my Must Watch list.