Sunrise on the Quiraing [#39]

Sunrise on the Quiraing by Murray Adcock on


Last night I did something incredibly simple which I have been terrified of doing for four months: I uploaded a photograph I took during our time on Skye.

It was a big deal, to me, for two reasons. First of all, I decided during our Islands & Highlands trip that I wanted to make more of my photography. Uploading to Flickr is a very slow process for me, which is why after a year and a half there are only three albums available. A large part of that is the desire to upload albums, not photographs; to tell a story in a single swoop, rather than drip-feed snippets shot by shot. It’s the main reason I like Flickr and it’s what the service is great at doing, but it means that very little content ever gets uploaded. The plan, then, was to repurpose/divide my Instagram account to utilise it for more than a running log of the beer I’ve tried, as well as reviving my old 500px account. On paper, that sounds pretty easy, but that meant starting new accounts, which has the knock-on effect of forcing me to pick the first photograph that was ever going to be uploaded to them. That was big deal number one, largely because I tend to overthink these things, but mainly because I like my projects to hit the ground running.

The second reason was those great artistic demons: imposter syndrome and rejection. I hadn’t even uploaded a photo but, somehow, doing so on a platform like 500px or Instagram feels much more loaded than Facebook, Flickr or even DeviantArt. Full time photographers, of course, use all of those platforms, but somehow I feel some of them are used to share their work whilst 500px and Instagram are used to curate it. That transforms those websites into portfolios, which sounds serious, even ‘professional’. But I definitely don’t see myself as a ‘professional’ photographer, so what right did I have to use those services? Worse still, what if I used them and was found out. I can deal with insignificance, to be lost beneath the ever heightening waves of content and uploads. My website gets an average of zero hits a week, but that doesn’t make me stop writing; my deviations would frequently go unnoticed, but I still fired up Photoshop. No, the problem is when you are noticed, but no one has anything nice to say. What if it turns out I have no photographic skill at all? What if I’m just copying other photographers*? What if I’m so bad that I get shared for the wrong reasons? Any chance of progressing my hobby, building a following, maybe even making a small amount of money, would all be dead in the water. Better to never try than to fail, right?

Well, obviously those were both terrible reasons for simply doing nothing and the result was just procrastination, plain and simple. At first I was “finding the right photograph”, but if I’m honest I knew which shot I should use within four days of the being in the Hebrides. Waking up on the Quiraing to that sunrise meant I would have to screw up pretty spectacularly to not have a great photograph. So, instead, the focus switched to “I need to set up the accounts” (achieved in June), then to “I need to edit it perfectly” (achieved in August, if not earlier), then to the simple “I need the time”. Ultimately, what it really boiled down to was “I need the courage”.

So last night I exported the file from Lightroom, found my old account logins and uploaded the shot. I never really found that courage, though. The reality is that not uploading was beginning to feel like more of a weight then the fear was. Still, the photograph was out there, despite some mild road-bumps. I have a real love-hate relationship with Instagram and I’m not particularly convinced  that the wait was worthwhile here, but that’s a story for another post. The flipside is that I am incredibly happy with how the photo looks on 500px and the response it has received. My wildest dreams of instant, viral success (hah!) haven’t come true but over 50 people have liked the photo, it momentarily hit the “Popular” page and I’ve even been added to a couple of galleries, within whose company I feel incredibly out-of-my-depth. Instagram hasn’t been as positive, neither has Facebook, but neither have been negative in the slightest. Above all else, though, I’ve finally breached the levy of fear that has been holding me back. It’s a very real weight off my shoulders, ridiculous though that may be, and I feel genuinely elated at the new-found freedom. Hopefully it’s just the first in an on-going series – though when have I said that before…

* By which I don’t mean “inspiration”. Obviously, you photograph a range of mountains the chances are good someone else did so before you, probably even from the exact same spot. I mean more being accused of genuine copyright theft, something which would gut any sense of achievement I’ve felt to date.

Stickers, Eclipses and Lighthouses [#36]

Today is a day for another round-up of interesting pieces from across the web. Nothing too special, but hopefully a little intriguing.

First up is Google Lighthouse, one of the many branches of the Alphabet behemoth and a pretty interesting little project. I haven’t actually managed to get it up and running, but I’ll definitely be trying it out on theAdhocracy some time soon (and probably weeping at the result). I don’t need to test it, though, to see it will be a very useful tool in battling the increasingly problematic issue of internet lag.

Second is the article which led me to Lighthouse in the first place: AMPersan, by Ethan Marcotte. Not much to add to this one, just another voice adding weight to my uneasiness with the idea of AMP and similar projects. Well worth a read if you’re interested in the open web.

In third place is a collection of ‘achievement’ stickers doing the rounds of the blogosphere right now. Originally designed by Jeremy Nguyen, published on The New Yorker and personally discovered via TheLogoSmith, the stickers are a humorous look at the pitfalls of being self employed. They’re specifically designed for freelance designers, but I feel a lot of them are applicable across disciplines. If you work from home, you’ll probably find yourself smiling and nodding.

Fourth on the list is a simple article from Martian Craft outlining “The Importance of Routine“. The post is aimed at remote works and is far from news to me, but it is a well written example of how to apply this kind of thinking. I’m saving it here more to try and force myself into setting something like this up for my own free time.

Finally, I was blown away by the “Lifetime Eclipse Predictor” visualisation created for The Washington Post (discovered via Source). In the wake of the recent total eclipse in the US, along with reading various posts on the rarity of such events, I’ve been left with a real urge to try and make sure at my path eventually coincides with a path of totality. It is a ridiculously awesome coincidence that our moon’s diameter and planet’s solar distance align so accurately. I mean, even if there are other life-hosting planets out there, we’re certainly one of an incredibly small number that can witness this phenomenon. That makes it practically a responsibility to see a total eclipse, at least once.

Willow, Wetlands & Nostell Priory [#11]

Nostell Estate & Wetlands Centre

Well, despite my best intentions, it has been almost a year since I last finished and uploaded a Flickr album. There are many, many albums at 90% complete or over, but I tend to find that I lose interest right at the final hurdle. It’s something I’m working on, much like my writing (speaking of, we’re at #10 and counting!), so hopefully there will be plenty more posts like this in 2017.

The first half of the pictures were taken in the grounds of Nostell Priory, a National Trust property located near Doncaster which we dropped into on our way back from visiting friends in Durham. It was a flying visit, really just allowing us to break the trip and stretch our legs, so I’d say Nostell has a lot more to offer than what we experienced, but what we did see was rather charming. I’m not sure if it was the Spring flowers coming into bloom or the rarely nice weather, but the grounds had a slightly enchanted feel to them. The various follies, Medieval quarry and distinctly Victorian concept of the Menagerie Garden combined to imbue certain areas with a quality reminiscent of Bethesda’s Elder Scrolls series. It felt like the house and grounds had been built on top of a more fantastical, ancient and much more secretive estate. I imagine it would have been an amazing place to grow up in and would definitely recommend it, whether for a full day out with the whole family or just an idle wander.

The second half of the album is comprised of a small number of shots from another brief outing, this time to the Willows & Wetlands Visitor Centre. Run by Coates English Willow, the centre is really just a shop and small (but very pleasant) café that allows access down onto a part of the Somerset Levels. There is a small museum and plenty of information displays, but we didn’t spend too much time with either. Instead, we spent our time exploring the various trails through the surrounding farmland, woods and down onto the flats themselves. Various willow animals have been scattered amongst the paths, all of which were wonderfully well set (I was particularly fond of the swooping eagle). Again, we didn’t spend a huge amount of time at the centre but I would definitely say it was worthwhile. Seeing an area of Somerset which still actively pumps the fens and plants up the willow beds was really interesting and, in its own way, quite beautiful.